Normandy
This project was born from a journey that began among the castles of the Loire and ended in Normandy. Moving north felt like shifting from a children’s fairy tale to the tragic song of a medieval minstrel. The heat of the Loire slowly dissolved into cold air, clouds and rain. Northern France carries itself like someone guarding a secret — or nursing an open wound. Coastlines interrupted by noisy bunkers, rising where once there was only the lull of wind. Endless cliffs, dry grass, memorials scattered everywhere. Fading lighthouses rise from the edge of the sea, silent sentinels between storm and horizon. Normandy is saturated with history, with American presence, almost to the point of expectation — as if the language itself might change. It doesn’t. What remains is a land marked by war, but still deeply, stubbornly alive.
Gothic architecture repeats itself across the territory, precise and unmistakably French. Even in the widest landscapes, its presence feels almost divine — a God both absent and reaching out, suspended between peace and destruction. These photographs were taken on 35mm film with a Voigtländer Bessa R4A. Color images were shot on Kodak Portra 160, black and white on Fujifilm Neopan 100 Acros II. They move between architecture and landscape, between what has been built and what has endured. Normandy is soaked in cruelty, hatred, and death — but also in life, respect, and hope, like the tides that continuously shape its shores, and the lighthouses that quietly keep watch.
Category
Film Photography
Date
2025




















